Παρακαλώ χρησιμοποιήστε αυτό το αναγνωριστικό για να παραπέμψετε ή να δημιουργήσετε σύνδεσμο προς αυτό το τεκμήριο: https://hdl.handle.net/10442/19764
Export to:   BibTeX  | EndNote  | RIS
Εξειδίκευση τύπου : Άρθρο σε επιστημονικό περιοδικό
Τίτλος: Broadcasting from a Deaf Planet: Deaf and Hearing Encounters through Sound and Radio Art at School
Δημιουργός/Συγγραφέας: Papachristou, Dana
Samantas, Yorgos
Εκδότης: [EL] Εθνικό Ίδρυμα Ερευνών. Ινστιτούτο Ιστορικών Ερευνών[EN] National Hellenic Research Foundation. Institute of Historical Researchsemantics logo
Ημερομηνία: 2025-12
Γλώσσα: Αγγλικά
ISSN: 3057-5605
DOI: 10.26238/witnessing.2025.01.06
Περιγραφή: In this paper, we explore the dynamic encounters with Deaf and hard-of-hearing students that occurred within a socially engaged sound-and-radio art project. ‘Audibility’, part of ‘B-AIR: Art Infinity Radio’ Creative Europe program, intended an inclusive approach on sonic arts, for a minority excluded from sound art and radio ventures. The artworks produced focus on vibro-tactility and the radiophonic medium, that, as we argue, compels us to critically rethink the relational aspects of sound and hearing, emphasizing on the tensions between the senses and identity. From our perspective as sound artists and theorists on aspects of identity, alterity, audibility and inclusion, we sought to find alternative ways of relating to and experiencing the sonic event, even in groups that are traditionally excluded from it. Drawing upon ethnographic research on creative encounters with Deaf and hard-of-hearing adolescents with sonic arts media and concepts, we observed that our relation with the sonic event is multidimensional and multisensory, a condition that can broaden the scope of auditory experience for Deaf, hard-of-hearing, hearing, as well as for sound and listening specialists. The potential of vibratory experience, wearable technology, sound sculpture and tactile media can create conditions of audibility that complement the ways in which we perceive sound, and thus the ways in which we experience it in all its manifestations. In this article, we reflect on our methods, questions, research results and the service they provided to the participating social groups and beyond. We will draw on the reflections of theorists and artists from the fields of Sound Studies and Disability Studies, with a focus on their convergence potential (such as Helmreich and Friedner). Moreover, we will explore philosophical concepts deriving from music, such as the deleuzian refrain-ritournelle, to explore the ways in which they can transcend the aural condition.
Τίτλος πηγής δημοσίευσης: Witnessing
Τεύχος: 01
Θεματική Κατηγορία: [EL] Κοινωνικές επιστήμες[EN] Social Sciencessemantics logo
[EL] Κοινωνιολογία[EN] Sociologysemantics logo
[EL] Εκπαίδευση. Θεωρία και πρακτική.[EN] Theory and practice of educationsemantics logo
[EL] Ανθρωπολογία[EN] Anthropologysemantics logo
[EL] Τέχνες (Γενικά)[EN] Arts in generalsemantics logo
Λέξεις-Κλειδιά: deaf studies
Sound studies
radio art
socially engaged art
pedagogy
Χρηματοδότης: European Research Council (ERC)
Χρηματοδοτικό πρόγραμμα: Horizon 2020 Research and Innovation Programme
Αναγνωριστικό χρηματοδοτικού προγράμματος: 101002720
Κάτοχος πνευματικών δικαιωμάτων: © 2025 by the author
Όροι και προϋποθέσεις δικαιωμάτων: Open Access article, distributed under the terms of the Creative Commons Attribution licence CC BY-NC-SA 4.0.
Ηλεκτρονική διεύθυνση στον εκδότη (link): https://doi.org/10.26238/witnessing.2025.01.06
Είναι μέρος του: Witnessing: A Journal of Critical Humanities and Socially Engaged Arts, Issue 01: Listening as Witnessing
Εμφανίζεται στις συλλογές:Τομέας Νεοελληνικών Ερευνών - Επιστημονικό έργο

Αρχεία σε αυτό το τεκμήριο:
Το πλήρες κείμενο αυτού του τεκμηρίου δεν διατίθεται προς το παρόν από τον ΗΛΙΟ.